Casno Royale Kommentare
Nachdem sich James Bond durch zwei Auftragsmorde seinen Status des Doppelnull-Agenten verdient hat, setzt ihn der Military Intelligence Service auf LeChiffre an, einen besessenen und genialen Pokerspieler, der in Montenegro im `Casino Royale' Geld. James Bond Casino Royale. aus Wikipedia, der freien Enzyklopädie. Zur Navigation springen Zur Suche springen. Film. Der Spielfilm Casino Royale aus dem Jahr ist eine Parodie auf die bis dahin erschienenen James-Bond-Filme. Der Titel entspricht dem ersten. Casino Royale. Es ist der erste James-Bond-Film mit Daniel Craig in der Rolle des Geheimagenten, der diesmal auf den für Terroristen arbeitenden. falsterbohus.se - Kaufen Sie James Bond - Casino Royale günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und.
Casino Royale ist der von EON produzierte “offizielle“ Bond-Film aus dem Jahr und basiert. falsterbohus.se - Kaufen Sie James Bond - Casino Royale günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und. Nachdem sich James Bond durch zwei Auftragsmorde seinen Status des Doppelnull-Agenten verdient hat, setzt ihn der Military Intelligence Service auf LeChiffre an, einen besessenen und genialen Pokerspieler, der in Montenegro im `Casino Royale' Geld.
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You must be a registered user to use the IMDb rating plugin. Nominated for 1 Oscar. Another 3 nominations. Edit Cast Cast overview, first billed only: Peter Sellers Vesper Lynd David Niven Sir James Bond Orson Welles Le Chiffre Joanna Pettet Mata Bond Daliah Lavi The Detainer Woody Allen Jimmy Bond Dr.
Noah Deborah Kerr Ransome Charles Boyer Le Grand John Huston McTarry M Kurt Kasznar Smernov George Raft George Raft Jean-Paul Belmondo Genres: Comedy.
Edit Did You Know? He disappears later in the shot. Quotes Polo : This is your mother's room. It has not been opened since the day she left here in You see.
Nothing has been touched. Mata Bond : It's a wild room! Hey, what an enormous bed! Polo : The German army was very large in those days.
Crazy Credits The opening credit animation by Richard Williams parodies illuminated manuscripts with cartoon-style calligraphy.
It sets the tone for the film as a psychedelic "knight's tale" of Sir James Bond. Was this review helpful to you? Yes No Report this. Runtime: min.
Edit page. Editors' Picks: Old-School Cool. John Hollis , who plays the temple priest in Mata Bond's hall, went on to play the unnamed figure clearly intended [ original research?
Well-established stars like Peter O'Toole and sporting legends like Stirling Moss took uncredited parts in the film just to be able to work with the other members of the cast.
The film also proved to be young Anjelica Huston 's first experience in the film industry as she was called upon by her father, John Huston , to cover the screen shots of Deborah Kerr 's hands.
John Le Mesurier features in the early scenes of the film as M's driver. Feldman had represented Ratoff and bought the film rights for Casino Royale from his widow.
Broccoli , who had held an interest in adapting James Bond for some years, offered to purchase the Casino Royale rights from Feldman, but he declined.
They eventually decided not to proceed after they saw the film Dr. No , the first Bond adaptation made by Broccoli and his partner Harry Saltzman through their company Eon Productions.
The attempt at a co-production eventually fell through as Feldman frequently argued with Broccoli and Saltzman, especially regarding the profit divisions and when the Casino Royale adaptation would start production.
Feldman approached Sean Connery to play Bond, but rejected Connery's offer to do the film for one million dollars. Given Eon's series led to spy films being in vogue at the time, Feldman opted to make his film a spoof of the Bond series instead of a straightforward adaptation.
Ben Hecht's contribution to the project, if not the final result, was in fact substantial and he wrote several complete drafts.
Time magazine reported in May that Hecht had "three bashes" at completing a script, while his papers contain material from four surviving screenplays by Hecht.
A draft from discovered in Hecht's papers — but which does not identify the screenwriter — is a direct adaptation of the novel, albeit with the Bond character absent, instead being replaced by a poker-playing American gangster.
Later drafts see vice made central to the plot, with the Le Chiffre character becoming head of a network of brothels as he is in the novel whose patrons are then blackmailed by Le Chiffre to fund Spectre an invention of the screenwriter.
The racy plot elements opened up by this change of background include a chase scene through Hamburg 's red light district that results in Bond escaping disguised as a female mud wrestler.
New characters appear such as Lili Wing, a brothel madam and former lover of Bond whose ultimate fate is to be crushed in the back of a garbage truck, and Gita, wife of Le Chiffre.
The beautiful Gita, whose face and throat are hideously disfigured as a result of Bond using her as a shield during a gunfight in the same sequence which sees Wing meet her fate, goes on to become the prime protagonist in the torture scene that features in the book, a role originally Le Chiffre's.
Virtually nothing from Hecht's scripts was ever filmed, although a draft dated to February has a line of dialogue containing the idea of MI6 having given multiple agents the name of James Bond after Bond has died to confuse the other side.
Time reported in that the script had been completely re-written by Billy Wilder , and by the time the film reached production only the idea that the name James Bond should be given to a number of other agents remained.
This key plot device in the finished film, in the case of Hecht's version, occurs after the demise of the original James Bond an event which happened prior to the beginning of his story which, as Hecht's M puts it, "not only perpetuates his memory, but confuses the opposition.
Extensive sequences also featured London, notably Trafalgar Square and the exterior of 10 Downing Street. Mereworth Castle in Kent was used as the home of Sir James Bond, which is blown up at the start of the film.
The production proved to be rather troubled, with five different directors helming different segments of the film and with stunt co-ordinator Richard Talmadge co-directing the final sequence.
Val Guest was given the responsibility of splicing the various "chapters" together, and was offered the unique title of co-ordinating director but declined, claiming the chaotic plot would not reflect well on him if he were so credited.
His extra credit was labelled 'additional sequences' instead. Part of the behind-the-scenes drama of this film's production concerned the filming of the segments involving Peter Sellers.
Screenwriter Wolf Mankowitz declared that Sellers felt intimidated by Orson Welles to the extent that, except for a couple of shots, neither was in the studio simultaneously.
Other versions of the legend depict the drama stemming from Sellers being slighted, in favour of Welles, by Princess Margaret whom Sellers knew during her visit to the set.
Welles also insisted on performing magic tricks as Le Chiffre, and the director obliged. Director Val Guest wrote that Welles did not think much of Sellers, and had refused to work with "that amateur".
Director Joseph McGrath , a personal friend of Sellers, was punched by the actor when he complained about Sellers's behaviour on the set.
Some biographies of Sellers suggest that he took the role of Bond to heart, and was annoyed at the decision to make Casino Royale a comedy, as he wanted to play Bond straight.
This is illustrated in somewhat fictionalised form in the film The Life and Death of Peter Sellers , based on the biography by Roger Lewis , who has claimed that Sellers kept re-writing and improvising scenes to make them play seriously.
This story is in agreement with the observation that the only parts of the film close to the book are the ones featuring Sellers and Welles.
Jean-Paul Belmondo and George Raft received major billing , even though each actor appears only briefly.
Both appear during the climactic brawl at the end, Raft flipping his trademark coin and promptly shooting himself dead with a backward-firing pistol, while Belmondo appears wearing a fake moustache as the French Foreign Legion officer who requires an English phrase book to translate " merde!
At the Intercon science fiction convention held in Slough in , David Prowse commented on his part in this film, apparently his big-screen debut.
He claimed that he was originally asked to play "Super Pooh", a giant Winnie-the-Pooh in a superhero costume who attacks Tremble during the Torture of The Mind sequence.
This idea, as with many others in the film's script, was rapidly dropped, and Prowse was re-cast as a Frankenstein -type monster for the closing scenes.
The final sequence was principally directed by former actor and stuntman Richard Talmadge. Director credits: .
Sellers went absent for days or weeks at a time, refused to appear in his scenes with Welles  and left the production before all of his scenes had been shot.
The framing device of a beginning and ending with David Niven was created to salvage the material. Signs of missing footage from the Sellers segments are evident at various points.
Evelyn Tremble is not captured on camera; an outtake of Sellers entering a racing car was substituted. Out-takes of Sellers were also used for Tremble's dream sequence pretending to play the piano on Ursula Andress ' torso , in the finale — blowing out the candles while in highland dress — and at the end of the film when all the various "James Bond doubles" are together.
In the kidnap sequence, Tremble's death is also very abruptly inserted; it consists of pre-existing footage of Tremble being rescued by Vesper, followed by a later-filmed shot of her abruptly deciding to shoot him, followed by a freeze-frame over some of the previous footage of her surrounded by bodies noticeably a zoom-in on the previous shot.
As well as this, an entire sequence involving Tremble going to the front for the underground James Bond training school which turns out to be under Harrods , of which the training area was the lowest level was never shot, thus creating an abrupt cut from Vesper announcing that Tremble will be James Bond to Tremble exiting the lift into the training school.
Many sequences from the film were dropped, so that several actors never appeared in the final cut, including Ian Hendry as , the agent whose body is briefly seen being disposed of by Vesper , Mona Washbourne and Arthur Mullard.
For the music, Feldman decided to bring in Burt Bacharach , who had done the score for his previous production What's New Pussycat?
Bacharach worked over two years writing for Casino Royale , in the meantime composing the After the Fox score and being forced to decline participation in Luv.
Lyricist Hal David contributed with various songs, many of which appeared in just instrumental versions. The title theme was Alpert's second number one on the Easy Listening chart where it spent two weeks at the top in June and peaked at number 27 on the Billboard Hot It is played in the scene of Vesper Lynd recruiting Evelyn Tremble, seen through a man-size aquarium in a seductive walk.
It was heard again in the first Austin Powers film, which was to a degree inspired by Casino Royale. A clarinet melody would later be featured in a Cracker Jack peanut popcorn commercial.
As an in-joke, a brief snippet of John Barry 's song " Born Free " is used in the film. At the time, Barry was the main composer for the Eon Bond series, and said song had won an Academy Award over Bacharach's own " Alfie ".
The cover art was done by Robert McGinnis , based on the film poster. The soundtrack album became famous among audio purists for the excellence of its recording.
The film soundtrack has since been released by other companies in different configurations including complete score releases. The highly regarded master tapes were damaged, however, during a s remastering [ citation needed ] so none of the subsequent re-releases is considered to be as fine as the original LP release.
However, during filming the project ran into several problems and the shoot ran months over schedule, with the costs also running well over. The problems postponed the launch until April Casino Royale had its world premiere in London's Odeon Leicester Square on 13 April , breaking many opening records in the theatre's history.
When domestic box-office receipts are adjusted for inflation, Casino Royale is 20th-largest grossing of all the Bond films.
No advance press screenings of Casino Royale were held, leading reviews to only appear after the premiere. Writing in , Danny Peary noted, "It's hard to believe that in we actually waited in anticipation for this so-called James Bond spoof.
It was a disappointment then; it's a curio today, but just as hard to get through. In fact, I recommend you see it on television when it's in a two-hour including commercials slot.
Then you won't expect it to make any sense. A few recent reviewers have been more impressed by the film. Andrea LeVasseur, in the AllMovie review, called it "the original ultimate spy spoof", and opined that the "nearly impossible to follow" plot made it "a satire to the highest degree".
Further describing it as a "hideous, zany disaster" LeVasseur concluded that it was "a psychedelic, absurd masterpiece".
It is the anti-auteur work of all time, a film shaped by the very zeitgeist it took on. In his review of the film, Leonard Maltin remarked, "Money, money everywhere, but [the] film is terribly uneven — sometimes funny, often not.
The website's critical consensus states: "A goofy, dated parody of spy movie cliches, Casino Royale squanders its all-star cast on a meandering, mostly laugh-free script.
Fox has since been responsible for the debut of the Casino Royale on Blu-ray disc in Danjaq LLC , Eon's holding company, is shown as one of its present copyright owners.
From Wikipedia, the free encyclopedia. This article is about the film. For the film, see Casino Royale film. For other uses, see Casino Royale.
British cinema poster by Robert McGinnis. Famous Artists Productions . Release date. Running time. These figures refer to rentals accruing to the distributors.
American Film Institute. Retrieved 12 September Bisset, after playing the casino extra in early footage, was cast again as Miss Goodthighs. The Encyclopedia of British Film.
London: Methuen Publishing. Retrieved 1 January The Telegraph. Archived from the original on 14 March Retrieved 20 April Scribe's-Eye View of Pic Birth".
Stroud, Gloucs: The History Press. Grove Press. Archived from the original on 28 September Retrieved 13 September The Times. Archived from the original on 29 October Archived from the original on 13 April Retrieved 13 April Scotland: the Movie Location Guide.
Archived from the original on 24 September Archived from the original on 16 August Retrieved 25 July Pan Macmillan, Turner Classic Movies.
Retrieved 31 March Gangster Films. Virgin Books.falsterbohus.se - Kaufen Sie James Bond - Casino Royale (Einzel-DVD) günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden. Martin Campbells knallharter Agenten-Action-Thriller „Casino Royale“ übertrifft die hohen Erwartungen und glänzt mit einem - wider allen Spekulationen. James Bond Casino Royale: Sendetermine · Streams · DVDs · Cast & Crew. Casino Royale ist der von EON produzierte “offizielle“ Bond-Film aus dem Jahr und basiert. Die spektakuläre Verfolgungsjagd in Madagaskar zeigt die erst kurz zuvor entwickelte Extremsportart Freerunning. Das ist jetzt abgestellt worden. Später soll er zu Connery einmal gesagt haben, Live Dealer die Million am Spielbank Ahrweiler doch billiger gekommen wäre als das nachher um den Film entstandene Chaos, das nicht zuletzt durch die Vielzahl anderer Stars zustande kam. Jerry BreslerCharles K. Melde dich an, Spidersolitaire Online einen Kommentar zu schreiben. Es wird hier nicht etwa einfach ein neues Bond-Abenteuer mit einem neuen Hauptdarsteller erzählt. Gerade bei letzteren Casino Venlo Erfahrungen geschah dies genauso im bewussten Kontrast zu den extrem überzogenen Vorgängern Man lebt nur zweimal und dem Science-Fiction -haften Moonraker. Bond greift sich Vesper, die vor Schreck einen Kassierer tötet. Genau das qualifiziert Spooky Auf Deutsch nach seiner Meinung für die Doppel-Null-Abteilung. Filme von Martin Campbell. Sonstige Filme. No die Kinos. Der Film wurde sehr wohlwollend aufgenommen.
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Casno Royale - Streams und MediathekenAm dortigen Flughafen gelingt es Bond in letzter Sekunde, ein Attentat auf einen Flugzeugprototyp zu verhindern. Nichts da mit Gentlemen-Agenten und dergleichen. Tremble lässt sich tatsächlich verführen und mit einer Schlaftablette im Champagner einschläfern. Als Peinlichkeit bezeichnete er aber den Titelsong von Chris Cornell. Die raue Neuorientierung des Franchise ist mit mehr als Bravour geglückt. Letztlich wollten beide Seiten einem Glaubwürdigkeitsverlust zuvorkommen, wie ihn der damals jährige Roger Moore zum Ende seiner Zeit als James Bond hinnehmen musste. George Lazenby.
Casno Royale - InhaltsverzeichnisMata kann die Filme, die zur Versteigerung vorgesehen waren, vernichten und selbst entkommen. Entsprechendes gilt für weitere Länder, unter anderem Indien. White, den Repräsentanten eines internationalen Terrornetzwerks. Völlig unbegründet. Mit einem direkten Rückgriff auf eine Romanhandlung von Fleming wurde vor allem dem Hauptdarsteller viel Raum gegeben, die Titelfigur eigenständig und möglichst nuanciert neu zu zeichnen. Trotz des finanziellen Erfolgs wurde Feldman von der Kritik verrissen. Eon Productions. Sean Connery. Martin Campbell wurde nach Pierce Lucky Lady Charm Free Slots erfolgreichem GoldenEye zum zweiten Mal mit der Einführung eines neuen Flow Online Free betraut, wie Februar zusammen mit dem Filmtitel bekanntgegeben Webcam Gratis. Als Peinlichkeit bezeichnete er aber den Titelsong von Chris Neteller Casinos. Punkten kann der Film darüber hinaus mit einem wunderbar-fiesen Bösewicht. Die Fülle guter Einfälle wird durch einen wahren Wust unnötig verwirrender Ausstattungseffekte stark in den Hintergrund gedrängt. Bond greift sich Vesper, die vor Schreck einen Kassierer tötet. Dort werden sie in das Geheimversteck von Weltmeister Frankreich. Noah, jemand aus seiner Umgebung und daher über jeden Schritt Plenty On Twenty Free informiert ist.
Only two days following the premiere, unlicensed copies appeared for sale in London. Craig himself was offered such a DVD while walking anonymously through the streets of Beijing wearing a hat and glasses to avoid being identified.
In January , Casino Royale became the first Bond film ever to be shown in mainland Chinese cinemas. The Chinese version was edited before release, with the reference to the Cold War re-dubbed and new dialogue added during the poker scene explaining the process of Texas hold 'em , as the game is less familiar in China this addition is reminiscent of dialogue that was added to the American TV adaptation to explain the rules of baccarat , the game featured in the original book.
As well as features present from the release, the collector's edition contains an audio commentary , deleted scenes, featurettes and a storyboard-to-film comparison.
Casino Royale was released a third time on Blu-ray in with DTS audio and deleted scenes, but with fewer special features than the edition.
In the United States, two fight scenes were censored to achieve a PG rating: the fight between Bond and the traitorous MI6 agent's contact Fisher, and the fight between Bond and Obanno in the stairway at the Casino Royale.
The German edit of the film cuts a sequence where the bomb-planter at the airport breaks a man's neck, instead replacing it with an alternative take.
The mainland Chinese cut of the film also trims the torture scene and the stairway fight, as well as a shot of Bond cleaning his wound at the hotel, and a boat scene.
Casino Royale was the 4th highest-grossing film of , and was the highest-grossing instalment of the James Bond series until Skyfall surpassed it in November The site's critical consensus reads, " Casino Royale disposes of the silliness and gadgetry that plagued recent James Bond outings, and Daniel Craig delivers what fans and critics have been waiting for: a caustic, haunted, intense reinvention of Craig's performance and credibility were particularly praised.
During production, Craig had been subject to debate by the media and the public, as he did not appear to fit Ian Fleming's original portrait of the character as tall, dark and suave.
The Times compared Craig's portrayal of the character to that of Timothy Dalton , and praised the action as "edgy",  with another reviewer citing in particular the action sequence involving the cranes in Madagascar.
The film was similarly well received in North America. MSNBC gave the movie a perfect 5 star rating. This is a screwed-up Bond, a rogue Bond, a bounder, a scrapper and, in the movie's astoundingly bleak coda, an openhearted lover.
Vicky Allan of the Sunday Herald noted Bond himself, and not his love interests, was sexually objectified in this film.
A moment where he rises from the sea is reminiscent of Ursula Andress in Dr. No ; he feels "skewered" by Vesper Lynd's criticism of him; "and though it would be almost unthinkable now have a female character in a mainstream film stripped naked and threatened with genital mutilation, that is exactly what happens to Bond in [the film].
Furthermore, I consider Daniel Craig to be the most effective and appealing of the six actors who have played , and that includes even Sean Connery.
Roger Moore wrote, "Daniel Craig impressed me so greatly in his debut outing, Casino Royale , by introducing a more gritty, unrefined edge to the character that I thought Sean [Connery] might just have to move over.
Craig's interpretation was like nothing we'd seen on screen before; Jimmy Bond was earning his stripes and making mistakes.
It was intriguing to see him being castigated by M, just like a naughty schoolboy would be by his headmaster. The script showed him as a vulnerable, troubled, and flawed character.
Quite the opposite to my Bond! Craig was, and is, very much the Bond Ian Fleming had described in the books — a ruthless killing machine.
It was a Bond that the public wanted. However, the film met with mixed reactions from other critics. Rob Gonsalves of eFilmCritic.
Though American radio personality Michael Medved gave the film three stars out of four, describing it as "intriguing, audacious and very original In December , Casino Royale was named the best film of the year by viewers of Film The film appeared on many critics' top ten lists of the best films of From Wikipedia, the free encyclopedia.
Theatrical release poster. Michael G. Wilson Barbara Broccoli. Release date. Running time. Main article: Casino Royale soundtrack.
Box Office Mojo. Retrieved 18 February The Daily Telegraph. IGN Entertainment, Inc. Retrieved 22 March Retrieved 16 June Archived from the original on 16 November Retrieved 27 February BBC News.
Retrieved 23 October The New York Times. Retrieved 20 June Retrieved 10 March The Guardian. Retrieved 7 December The Independent.
Retrieved 17 June Retrieved 5 March Sony Corporation. Retrieved 29 April The Times. Retrieved 21 November American Cinematographer.
Archived from the original on 2 April Retrieved 17 April The Atlantic. Retrieved 4 April Cumberland Courier.
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Daily Mirror. Archived from the original on 14 April Retrieved 27 December Superhero Hype! Retrieved 4 March Internet Movie Database.
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Archived from the original on 18 June Il Giorno. Archived from the original on 11 October Retrieved 9 August Retrieved 29 January Retrieved 26 July Archived from the original on 5 July Retrieved 16 March Retrieved 28 February Retrieved 30 January Retrieved 29 March Retrieved 20 March Retrieved 15 August DVD Times.
Archived from the original on 16 December Retrieved 9 December Archived from the original on 18 January Empire Online.
Retrieved 5 July Retrieved 29 July Retrieved 3 June The Sunday Times. UK Film Council. Archived from the original PDF on 25 May Retrieved 9 September Cinema Exhibitors' Association.
Archived from the original on 27 April Retrieved 19 November Rotten Tomatoes. Retrieved 28 May No ". CBS Interactive.
Retrieved 18 July Den of Geek. Retrieved 10 December Archived from the original on 26 January Archived from the original on 15 November Retrieved 17 November The Hollywood Reporter.
Archived from the original on 25 January Retrieved 21 March Entertainment Weekly. Retrieved 30 March Chicago Tribune.
Archived from the original on 6 March Retrieved 13 May Orlando Sentinel. Archived from the original on 18 May Hollywood Wiretap.
Archived from the original on 26 July Chicago Sun-Times. Retrieved 3 July Time Out New York. Retrieved 11 June Sunday Herald.
Archived from the original on 3 January Retrieved 27 October In the news. Archived from the original on 26 February Retrieved 28 October The New York Observer.
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Retrieved 2 September Emanuel Levy. The Observer. London: BBC. Archived from the original on 4 June Retrieved 4 June London: Trinity Mirror.
Robert G. Slade as Pilot. Felicite du Jeu as French News Reporter. Tobias Menzies as Villers, Villiers. Michael Offei as Obanno's Leutenant.
Makhoudia Diaw as Obanno's Liaison. Michael G. Wilson as Chief of Police. Vladimir Kulhavy as Croatian General.
Valentine Nonyela as Nambutu Embassy Official. Dusan Pelech as Bartender. Alessandra Ambrosio as Tennis Girl. Veronika Hladikova as Tennis Girl.
Olutunji Ebun-Cole as Cola Kid. Martin Ucik as Barman. Miroslav Simünek as Disapproving Man. Jaroslav Jankovsky as Hermitage Waiter.
New on Amazon Prime Video in September November 2, Full Review…. October 18, Full Review…. July 16, Rating: 4. November 20, Rating: B Full Review….
September 10, Full Review…. November 2, Rating: A Full Review…. View All Critic Reviews May 01, Rebooting a film franchise can often come across as an act of desperation: an admission that the characters or story have been taken as far as they can possibly go, and a cynical means of luring in a new generation on the pretence of giving them ownership over 'their version' of a property.
Perversely, the more successful a given reboot is, the easier it seemingly becomes to pull this same trick again the second that a particular instalment mildly underperforms.
It may seem hard to believe in an age of cinematic universes where knowledge of superhero continuity is a badge of honour - but then we remember that Spider-Man and Superman have both been rebooted twice in the space of a decade.
Die Another Day marked the Bond series' 40th anniversary in the most deeply disappointing way possible, serving up a glorified greatest hits compilation which played out like reheated leftovers.
Faced with its deserved critical kicking and Pierce Brosnan's subsequent departure, the guardians of the series must have felt that starting from scratch and going back was the only way forward.
Casino Royale is a worthy exception to the rule that reboots are pointless and underwhelming, delivering just the sort of reinvention that the franchise needed.
It may even be the best film in the entire series. Part of the secret behind the Bond series' longevity is that it has always adjusted its character and storylines to the culture and politics of a given period.
Sometimes it has done this so nakedly that the films in question date badly, whether it's Live and Let Die's attempts at aping Shaft, The Man with the Golden Gun cashing in on Enter the Dragon, or Moonraker trying and failing to be the next Star Wars.
Often Bond has been at his best when he acknowledges his mortality and the world changing around him, while retaining the character elements which made him so popular in the first place.
Goldeneye made a big deal about the Cold War ending, but it still felt like a story in which Bond had a rightful place.
The spectre hanging over Casino Royale, and indeed all of the Daniel Craig era, is the Bourne series. The first three films shifted the goalposts of what constituted a modern action-thriller, innovating with its gripping storylines, sharp camerawork and relatable yet remarkable protagonist.
Even Brosnan admitted that the series would have had to raise its game in the face of what The Bourne Identity did; watching that and Die Another Day now, it's hard to believe that they came from the same decade, let alone the same year.
Casino Royale manages to match The Bourne Supremacy for quality, borrowing some of its aesthetic touches particularly in the chase sequences while also capturing the intrigue of Ian Fleming's original novel.
Like Paul Greengrass, Martin Campbell understands the need to knit action and character scenes together to create a holistic, gripping package; the action feels like an integral and natural part of the drama, rather than interrupting it in order to show off the budget.
Campbell brings the same calm, steady and methodical touch that he brought to Goldeneye; having saved Bond from irrelevance once, he does it again in some style.
Skyfall so often gets praised for acknowledging Bond's past while still being modern and relevant, but Casino Royale manages to pull off this same trick, and arguably does it slightly better.
Where Skyfall consciously tips its hat to the older films through costumes, characters or props such as the iconic Aston Martin DB5 , Casino Royale is more subtle; all the classic elements are there, but they've been modernised and refined so that they make more sense in the real world.
It's still fitting for Bond to drive an Aston Martin, and it's a nice touch to see its distant predecessor roll by.
But it wouldn't make sense for Bond's car to have many gadgets that he doesn't need, and having the car be wrecked to save Vesper makes complete sense.
Where Roger Moore or Brosnan's films glorified the gadgets, this restores some welcome credibility and keeps the hardware under wraps unless absolutely necessary.
Along these same lines, the screenplay takes all the best elements of Fleming's novel and transposes them into a contemporary setting. It still has all the glamour of the classic casino scenes from the Sean Connery era, but the playful banter and flirting has been replaced with high stakes, tense glances and much more serious consequences.
Le Chiffre's relationships with arms dealers and dodgy speculation on the stock market felt current for its day and still feels very fresh; great effort is expended to ground the character's motivations while maintaining an air of intrigue, mystery and threat.
The film takes itself seriously, but not too seriously; it wants to have fun, but it puts credibility above out-and-out entertainment, unlike many of Moore's entries in the canon.
Le Chiffre's characterisation is also an interesting departure from what the Bond villain archetype has become. Where the likes of Drax, Stromberg and Blofeld wanted to single-handedly destroy or take over the world, Le Chiffre is essentially a middle-man; he is to the Craig era what Kristatos was in For Your Eyes Only, but better written and with a more interesting, more murky motivation.
Like Bond, he is ultimately a pawn of bigger forces who struggles at times not to buckle under the pressure as the torture scene demonstrates ; by making him so small, he becomes more believable and more intimidating, even without the bleeding eye.
He may look like the lead singer of Franz Ferdinand in his haircut and dress sense, but Mads Mikkelson plays him brilliantly, bringing a cold, dead-eyed feel to the character which both intrigues and repulses an audience.
Creating convincing poker scenes in films is pretty difficult. The vast majority of efforts go for a highly stylised or choreographed approach, where audience expectations are pandered to through needless editing trickery; think of the final hand in The Cincinnati Kid, or the royal flush sequence in Maverick.
Casino Royale's poker scenes may be more stylised than those in, say, The Sting or Rounders, but they are still very well-executed with good pacing and a frisson of unpredictability.
What really makes them work, however, is the build-up in the script; there are little poker motifs dotted throughout, with comments about tells and misdirection.
Because the film makes such a big theme out of bluffing and people not being what they seem, the card games don't feel like isolated set-pieces, and the later developments with Mathis and Vesper feel credible and yet still surprising.
It isn't just that both characters ultimately don't make it past the final reel; the characters are both instrumental in the making of Bond, an affront and a challenge to his impulsive, playboy instincts and a safe refuge from the madness of his job and the people he has to kill.
Eva Green is every bit as gripping and electric on screen as Diana Rigg before her; Vesper goes toe-to-toe with Bond and we get genuine character development, making her betrayal and death all the more shocking and heartbreaking.
Craig's Bond is a changed man by the end of the film - it's just a pity that the resolution to his heartbreak in Quantum of Solace was as underwhelming and mishandled as the similar attempt in Diamonds Are Forever.
The heartbreak surrounding Vesper brings us onto another of Casino Royale's great successes: it hurts. Desmond Llewellyn's Q may have advised Bond that he should never let his enemies see him bleed, but the best Bond films have never been afraid of putting him through the mill, getting him into dangerous situations which can only be resolved at great cost - a cost often numbed by women and alcohol.
The fight scenes in Casino Royale feel brutal, just as they should do; it isn't interesting to have someone waltz through conflict as though it was nothing.
The torture scene and the defibrillator scene are great in isolation, but they are matched by Bond's emotional torment of losing Vesper.
For the first time since Timothy Dalton's era - or Goldeneye at a push - Bond's pain feels real and meaningful.
All of which brings us to Daniel Craig as Bond. While his subsequent films have been hit-and-miss, his performance here is more than enough to silence those who criticised his casting all those 'James Blonde' jokes sound all the more desperate now.
He takes the suffering and burnt-out approach that Dalton brought and fuses it with some of Connery's unabashed cool to create a truly modern and contemporary Bond.
He also has the confidence to eschew convention as much as he chooses to reflect or inhabit it; we get a build-up to a cliched sex scene, but then he's quickly on his toes and back to the plot.
Casino Royale is a great, gripping spy thriller and arguably the finest of all the James Bond films. While it is slightly too long and a little too candid with some of its product placement, it remains an extraordinary reinvention of a franchise which had long been in need of a boost.
Craig impresses in his first and finest performance as Bond, and Martin Campbell directs with great common sense and precision to create a majestic and immensely enjoyable film.
Whether looking at the newer films or the franchise as a whole, this has set a very high bar which has yet to be beaten. Daniel M Super Reviewer.
Jun 20, Daniel Craig's first turn in the tux. Just as many franchises have gone "The Dark Knight route" meaning they have turned stories darker and grittier, the James Bond franchise is now following suit.
Daniel Craig is the most fit and tough Bond we've had. He's not the best James Bond, but he's good. Script was remarkable and despite the point of the film being just a poker game, it was still filled with suspense and excitement.
Patrick W Super Reviewer. Mar 11, A new 00 agent for MI6, Bond is assigned with incapacitating a terrorist Mads Mikkelsen behind an attempted bombing of a plane.
This is a fun and stylish Bond film. Daniel Craig is a very focused Bond, not so easily distracted by the lure of women.
He is also an inexperienced Bond, lacking proper judgement in certain situations. It makes for a very relatable protagonist.
Eva Green is also very strong as a British treasurer tasked with aiding Bond in the poker match. Mads makes for an ok villain as well.
The action in this movie is top-notch. After the opening credits featuring a solid Bond song , a chase scene draws attention immediately.
The stunt team in Casino Royale deserves a lot of props for some of the actions they had to pull off. Also, the music is very solid throughout; the classic Bond theme isn't heard until the very end, signifying Bond's character arc into the mysterious agent we're more familiar with.
There are some little things I didn't care for in CR though. During another chase scene, there is a knife struggle in the middle of a crowded room, and, somehow, nobody notices.
The movie feels long at 2 hours and 20 minutes, and that's thanks to the last 25 minutes or so. There's a twist towards the end that does nothing but serve as Bond's final transformation, and I feel like it could have been done in a way that didn't feel separate from the rest of the movie.
Overall, Casino Royale will please new and old Bond fans alike while serving as a solid action movie. Ben B Super Reviewer.
Feb 07, Daniel Craig's debut as which he knocked out of the park. A very grounded, smart, realistic James Bond film. Casino Royale is debatably for most fans the best Bond film and I can honestly view this film as a movie of its own to be honest.
Daniel Craig is the best bond since Sean Connery. Mr N Super Reviewer. See all Audience reviews. James Bond: I'm sorry. That last hand Le Chiffre: You changed your shirt, Mr Bond.
I hope our little game isn't causing you to perspire. James Bond: A little. But I won't consider myself to be in trouble until I start weeping blood.
James Bond: Don't worry your not my type. James Bond: Don't worry you're not my type. Vesper Lynd: Smart? James Bond: Single.
James Bond: How about a drink at my place? View All Quotes. Video Game Movies Ranked. Best Netflix Series and Shows.
Go back. More trailers. No Score Yet. America's Got Talent. Tough as Nails. True Life. In the Cut. Catfish: The TV Show. Good Bones.
Ghosted: Love Gone Missing. Cobra Kai. The Boys. Lovecraft Country. Raised by Wolves. The Umbrella Academy. The Stranger. Teenage Bounty Hunters.
You changed your shirt, Mr Bond. A little.